La La Land
There is a certain joy in discovering words written by others that so aptly capture your own thoughts and reactions.
From NYT review:
'The difference between selling out and breaking through is not always clear, and “La La Land” is not so hypocritical as to pretend otherwise.'
'The real tension in “La La Land” is between ambition and love, and perhaps the most up-to-date thing about it is the way it explores that ancient conflict.... the drive for professional success is, for young people at the present time, both more realistic and more romantic than the pursuit of boy-meets-girl happily-ever-after. Love is contingent. Art is commitment.'
'[Chazelle] outdoes himself in the last 20 minutes of “La La Land,” and outdoes just about every other director of his generation, wrapping intense and delicate emotions in sheer, intoxicating cinematic bliss.'
From AV club review
'... Mia and Sebastian are drawn to each other’s respective passion. La La Land traces their salty-then-sweet courtship by season, watching as it evolves from mutual dislike to flirtatious antagonism to head-over-heels romance.'
'There are moments in La La Land where that Chazelle, the unapologetic grandstander, threatens to gain full control; a few of his big musical interludes, like one that spins around a swimming pool at breakneck speed, are more technically elaborate than transporting. But as much as the writer-director lives and breathes for the choreographed excess of Busby Berkeley and Vincente Minnelli, he never loses sight of the relatable dreamers at the center of his bravado set-pieces. The aforementioned pool-party scene eventually stops time to usher us into Mia’s emotional sphere.'