"The only copy of Catullus’s poems to survive from antiquity was discovered in the Middle Ages, plugging a hole in a wine barrel. One of two morals can be drawn from this fact. Either pure chance determines what survives, from which it follows that eventually every work will lose its gamble and be forgotten; or else every worthy work is registered in the eye of God, the way books are registered for copyright, so that its material fate is irrelevant. The first conclusion, which is rationally inevitable, would in time lead anyone to stop writing; anyone who continues to write somehow believes a version of the second. But surely a God who was able to preserve all human works could also preserve all human intentions—indeed, He could deduce the work from its intention far more perfectly than the writer can produce it. Thus a writer with perfect trust would not have to do any work, but simply confide his intentions and aspirations to God. His effort, the pains he takes, are the precise measure of his lack of trust."
from Rocket and Lightship: Meditations on life and letters by Adam Kirsch.